Press
"‘The Black Woman is God: Assembly of Gods’ reveres the Black female artist" by Maisy Menzies, The Daily Californian, September 6, 2018
"Mural festival closing party this afternoon in Jack London Square" by Janis Mara, KTVU, May 19, 2018
"Bay Area Mural Festival enlivens Oakland’s Jack London District" by Laura Oda, East Bay Times, May 17, 2018
"Artists to paint the town during weeklong Oakland Mural Festival" by Hannah Strumwasser, East Bay Express, May 9, 2018
"Matriarchs of the New Order, at SOMArts: "The Black Woman Is God" constructs new mythologies of collective liberation." by Peter Lawrence Kane, SFWeekly, August 16, 2017
"'The Black Woman is God' Opens at SOMArts: The exhibit is a sprawling celebration of divine melanin and creative Black women." by Carrie Y. T. Kholi, East Bay Express, July 5, 2016
"Crack the Code to Sacred Black Womanhood at SOMArts" by Luna Malbroux, KQED Arts, August 2, 2016
“Although the positioning of the pieces within the exhibition at times felt overwhelming, individual works still gave me pause. Alise Eastgate’s painting Freed-a is a beautiful pop of modernity and color that seamlessly honors Frida Kahlo, Black womanhood and mysticism in an exquisite mix of patterns.”
“Eastgate’s painting is arguably the most powerful piece within the exhibit. The sorrowful yet effervescent memorial she created strikes a harrowing and memorable chord with the viewer. Eastgate furthers the power of this piece by taking inspiration from Diego Rivera’s “El Vendedor de Alcatraces” –– one of his most popular paintings. Through this connection, the painting represents an exchange and respect of different cultural styles and attributes.”